Bordeaux Bubbles.

The Bordeaux and Bordeaux Supérieur appellations cover almost half of the surface area of the Bordeaux vineyards region. Within this rather amorphous category, there are many hidden gems. In previous posts, we’ve already looked at Dry Whites, Rosés and Clairets, but there’s another lesser-known appellation worth your attention, Crémant de Bordeaux. AOC Crémant de Bordeaux is one of the eight French Crémant appellations including Alsace, Burgundy, Loire, Die, Jura, Limoux and Savoie.  

In Bordeaux terms, Crémant de Bordeaux is a young appellation, dating from 1990, whereas most of the Bordeaux appellations date back to the 1930s. Sparkling wine production was well established in the region before then, dating back to at least the 19th century.

Another niche .

It’s still tiny. In 2019, around 200 winemakers produced 7.5 million bottles of Crémant (white and rosé), still less than 2% of Bordeaux production. but growing fast. The vast majority, 69%, is white which has increased by over 250% in the last ten years. The remaining rosé is growing even quicker at a stunning 466%. 

Blend.

Crémant can be a blend or a single varietal wine and the classic Bordeaux varieties are used. Crémant Blanc can be a blend of both white and red varieties or a Blanc de Blanc, only using white grapes. 

Just as with white or red AOC Bordeaux, the principal varieties, Cabernet Franc, Cabernet Sauvignon, Carmenère, Malbec, Merlot, Muscadelle, Petit Verdot, Sémillon, Sauvignon Blanc and Gris must make up at least 70% of the blend. The accessory varieties, Colombard, Merlot Blanc and Ugni Blanc, can make up no more than 30%. 

The base (still) wines for Crémant Rosé can be made by press or by ‘saigné’ method or by blending white and red wines before the bottling for the second fermentation. 

Hand-picked.

For Crémant, grapes must be hand-picked and at a low sugar level, less than 144g sugar per litre, which gives a still wine with a minimum 9° alcohol.  After secondary fermentation in the bottle, the alcohol will rise to a legal upper limit of 13 %. 

Traditional sparkle.

As with other Crémant appellations, the wine must be made in the ‘traditional’ method, with the second fermentation (la prise de mousse) where the sparkle comes from, taking place in the bottle.

Most producers use specialist ‘elaborateurs’ for this secondary fermentation, there are six in Bordeaux, although a few producers do the whole time consuming and delicate process in-house. 

After the first, alcoholic, fermentation in vat or occasionally in barrel, the still wine is bottled with an added dose of sugar and yeast to start the second fermentation. 

Bottling for this second fermentation takes place a minimum of three months after harvest. The wine must spend a minimum of nine months ageing in the bottle, on the lees, before disgorging (removing the clear wine from the lees) and then another three months before shipping. According to Corinne Lateyron (see below) sparkling wines suffer from a type of ‘bottle shock’ after disgorgement, even more than still wines after bottling. The minimum time in bottle is 12 months, 9 of which on lees. In reality, most Crémant remain on the lees for longer – see examples below. 

The wines can be non-vintage (NV) or vintage. Vintage implies a traceability but also a longer ageing period. Unlike Champagne, Bordeaux does not declare a vintage for their Crémant, vintage Crémant tend to be reserved for the best years. 

High and dry. 

It is the addition of the ‘liqueur d’expédition’ after disgorgement that defines the categories of extra brut, brut or demi-sec.

  • demi-sec wines have 32-50 grams of sugar per litre
  • brut, less than 12 grams of sugar per litre
  • extra brut ,0-6 grams of sugar per litre

Brut nature, “pas dosé” or “dosage zéro” contains zero dosage, resulting in a finished wine with less than three grams sugar per litre.

Underground production.

The majority of right bank Bordeaux terroir is clay over limestone, cooler soil conditions that are great for dry white wines and Merlot grapes. The limestone subsoil has been exploited for quarrying for centuries. These ancient quarries now offer the perfect, consistently cool conditions needed for the traditional Crémant method. 

Wines to try.

Many of my favourite Entre deux Mers wine makers have added Crémant to their range, names that will be familiar to readers include Château Theuiley whose Crémant de Thieuley is a 50 % Semillon 50 % Cabernet Franc blend aged for 18 months on the lees. Chateau Bauduc and Château Lestrille both produce a  Blanc de Blancs. Bauduc Crémant  is 100% Semillon aged for 24 months and Les Bulles de Château Lestrille, a delicious 80% Semillon, 20% Muscadelle blend, in a beautiful bottle.

The elegant bottle of Les Bulles from Château Lestrille.

But it is underneath the vines of Saint Emilion where Crémant is bubbling. The Lateyron family have been in the Saint Emilion region since the 18th century and are one of the first Bordeaux producers of Crémant. Fourth generation siblings, Corinne and Lionel now run the family estate in Montagne Saint Emilion, Château Tour Calon, with oenologist Corinne in charge of the Crémant. Saint Emilion and the surrounding satellites are known for their limestone subsoils. As well as offering excellent grape growing terroir, there is also a network of old underground quarries excavated since the 9th century.  

The Lateyrons’ impressive cellars, carved into the limestone beneath their vineyard, provide the ideal environment for the secondary fermentation and bottle ageing of Crémant. 

The impressive Lateyron cellars perfect for in bottle fermentation and storage.

The caves were Ecocert certified in 1993 and the vineyard followed in 2010. A philosophy of sustainability and low intervention wine making that infuses all aspects of the business. This, Corinne believes, is the key to producing a Crémant of personality. 

Alongside their own three labels, two thirds of their activity is undertaking the specialist ‘prise de mousse’ bottle fermentation and ageing for other wine makers. They offer a complete service from bottling, secondary  fermentation, ageing, disgorging and preparing and final ageing before shipping.  This includes both the traditional remuage (moving the bottles to make the lees descend into the neck so they can be expelled) by hand and in rotators. 

Their role is not limited to in-cellar activity. Corinne is the regional specialist for Crémant, her 20 odd years of experience, including training in Champagne, has taken her as far as Argentina to consult. Closer to home, she consults with local wine makers on how to grow, pick, ferment and age their still wines with the objective of creating a great Crémant, keeping that all-important balance of acidity and personality.

Her own preference is for a blended wine, considering blending the true expression of Bordeaux. For her, in the absence of Chardonnay the backbone of Blanc de Noirs adds personality. 

Of her three labels, medal winner, Lateyron Centenaire brut is her best seller. A 70% Sémillon, 30% Cabernet Franc blend, from still wines of the Entre Deux Mers, it spends 18 months on the lees with a dosage of 10g sugar per litre. It’s an easy drinking, perfect aperitif wine.

She prefers the drier Paulian, which spends 2 to 3 years in the caves, with 40% Cabernet and just 6g of dosage, she finds it less exuberant but more balanced and more interesting as a food wine, always an important consideration for the French! 

Her favourite is the Abel, a vintage brut zero, first produced in 2010. Corinne selects old vine Semillon and Cabernet Franc for minerality, part aged in oak before a late bottling. After five years bottle ageing, the finished wine has lovely grilled notes. The 2014 is the current vintage available.  

Abel Nature

Transatlantic sparkle.

Rarecat is Another Medal Winner. Made from 100% Sémillon grapes aged for 9 months on the lees, this NV Brut is designed by American Sharon Kazan Harris specifically for the American palate. Sharon has a foot on each side of the Atlantic, as well as making wine in Bordeaux and in Napa she owns a beautiful villa in the heart of Saint Emilion available for rent. The perfect place to  sip Rarecat Crémant by the pool. For American readers you can buy Rarecat in the US online or at her Napa tasting room. 

Rarecat, A transatlantic Crémant

A religious experience. 

The old cloisters of the 13th century Cordeliers, tucked away down a back street of UNESCO heritage site Saint Emilion, has become a destination for Crémant de Bordeaux lovers. 20 metres below the old church are quarries dating back to the 9th century, where still wines from the surrounding vineyards have been brought since 1892 for the ‘prise de mousse’.  

The entrance to the cellars is at the centre of the newly renovated 14th century church. The gardens around the ruined cloisters of the former monastery is the perfect venue to sit and sip Crémant de Bordeaux. The 2020 Best of Wine Tourism award winner for  Architecture and Landscapes is a must to include on any Bordeaux wine tour.  

The Cloisters at the Cordeliers in Saint Emilion

Their range includes white and rose, vintage and non-vintage including  a 100% Semillon demi-sec which goes particularly well with the famous Macarons de Saint Emilion.

A not to be missed Saint Emilion speciality,

Château Rioublanc is a family property to the north of Libourne, on high, cool clay soils and certified organic since 2012. As well as red, still dry and sweet white wines they make four Crémants, white brut white demi-sec, rosé brut and a white Double Zéro, which has no added sugar and, more unusually, no added sulphur and is unfiltered. 

Double Zéro from Château Rioublanc

Château de Lisennes is a 55ha property in the Entre deux Mers, close to Bordeaux city. Farmed sustainably with part of the vineyard certified organic, and more in process, their philosophy of sustainability includes their carbon footprint, with solar panels installed on the cellar roof. They produce a range of red, white and rosé wines on the cool limestone and clay soils and two Crémants, a white and a Rose. The white is a blend of  Sémillon, Cabernet Franc and Muscadelle and the Rosé a blend of Merlot and Cabernet Franc.

White and Rosé Crémant de bordeaux from Château de Lisennes.

Bad boy is the tongue-in-cheek name Jean-Luc Thunevin uses for his Bordeaux wines, inspired by his reputation as a rogue Saint Emilion wine maker during the 90s garage wine movement. Despite Château Valandraud entering into the establishment, thanks to its 1st Grand Cru Classé status, he is still innovating and has added Bad Girl, a white and a rosé Crémant de Bordeaux, to the range. Both are made from wines from the Entre Deux Mers region, harvested on cool, late plots to get both acidity and complexity. The 70 % Sémillon, 20 % Cabernet Franc and 10% Muscadelle blend is aged on lees for 20 months under the tender loving care of Corinne Lateyron in nearby Montagne Saint Emilion.

Bad Girl from Bad Boy Jean-Luc Thunevin

Not all that sparkles is Crémant. 

Crémant de Bordeaux has strict production criteria, and some producers prefer to play outside these rules. 

Just outside Saint Emilion, on the banks of the Dordogne Dawn Jones Cooper produces a range of organic, uniquely white single varietal wines under the label ‘Nobody’s Perfect’. These include Muscadelle, Sauvignon Blanc, Semillon & Chardonnay – yes Chardonnay! This puts her outside the AOC. Her wines are made under the Vins de France designation so the Sparkling Château de Monfaucon is sold as a Pétillant not Crémant.

Monfaucon Estate, practically perfect

Dawn does the traditional method secondary fermentation herself, leaving it on the lees in the bottle for 2 to 3 years. For the 2018 vintage she made two versions, a 100% sparkling Sauvignon Blanc with an 8g dosage (which she thinks is unique in Bordeaux) and more classic blend of Sauvignon blanc, Sémillon and Muscadelle with a 10g dosage. There’s only 2,000 bottles, to be released next 2 to 3 months, but it will be available in the UK.  

Château de Seuil in the Graves also produces a sparkling wine from organic grapes, as are all their wines. They choose Pétillant as the designation for their ‘Perles du Seuil’, as the grapes are machine picked rather than by hand. 100 % Semillon with a dosage of 6g, it is a ‘méthode traditionelle’, with secondary fermentation in the bottle where it ages for a minimum of 9 months.

Petillant Perles du Seuil.

The Crémant from Bordeaux negociant house Calvet is easier to find in both the UK and the US. Alongside their Brut Blanc (Sémillon, Cabernet Franc blend) and Rosé (Cabernet Franc, Merlot blend) they have recently added an ‘Ice’ to the range. A 100% Chardonnay (so not Crémant de Bordeaux) it is made following the same traditional method and aged for 9 months, but it is a demi-sec, designed to be served as a summer aperitif poured over ice. This trend, called a ‘Piscine’ served in a large glass  was started by Moet et Chandon with their Ice Impérial launched about 10 years ago. Sparkling purists look away now.

Ice from Calvet

Look out.

For many years, Crémant de Bordeaux has been a well-kept local secret, but it is now gaining recognition further afield and popping up in export markets.  Keep a look out, although slight more expensive abroad, the price in France averages between €5-15, a steal! 

If you enjoyed this post, please  sign up here  to receive future blog posts directly to your inbox. If you would like to read more about Bordeaux, buy your copy of Bordeaux Bootcamp here, to learn more about Wine and Wellness, you can buy a copy of  The Drinking Woman’s Diet here. Enjoy the read.

A Sip of Wellness.

It’s been a while since I wrote about wine and wellness. What could be a more perfect way to come back to the subject than with a certified sommelier and yoga teacher?

Please meet Joanna Piotrowiak, MBA, Certified Sommelier, yoga teacher and founder of Sip of Wellness.

Joanna, please introduce yourself and your role in the wine industry.

Originally from Poland, I lived in Hong Kong for over a decade & I am now writing a new chapter. If I’ve learned anything during the last 18 months through Covid, it’s that life is unpredictable so as I strive to grow my business, I am also waiting to see where to base myself next. Making yourself available can sometimes open up new opportunities so staying open grants us the possibility to new things that life may bring us.

As a Certified Sommelier & yoga teacher, I am also the founder of Sip of Wellness, a business that combines three of my passions: wine, yoga and wellness.  Thanks to these passions, I decided to create an original wine tasting concept, blending wine education with yoga philosophy through the awakening of energy centres called ‘chakras’ that are linked to the key senses that we use during wine tastings.

What brought you to the business and how long have you worked here? 

I would say there are two main factors that have had an impact on my journey into the wine industry. Firstly, it was my granddad’s house wine that I was helping to make ever since I was a child. The grapes grew in his garden, the wine was very sweet and quite strong. It made many of our family’s gatherings very joyful 😉

Secondly, food. One of a life’s essence for my family. My grandma was a great cook who was often hired to cook at weddings. My mom learned all her tricks and unsurprisingly become a great home chef.  Since food and wine are closely related, my parents slowly began to explore wines. It’s worth mentioning that it was beginning of the ‘90s when wine consumption and knowledge in Poland was quite low so my parents were ahead of time. Eventually they invested in a winery in Sardinia while I decided to pursue an MBA program. I wanted to go to Asia, to a country with an exciting wine scene where I could learn and develop a career. Hong Kong was an obvious choice. 

During the MBA I did an internship at a local wine distributor specialising in boutique producers from Italy where I finally got a full- time job as a Sales Executive.  I’m a bit of a nerd hence after completing WSET level 2, I wanted to deepen my knowledge and above all get closer to people with whom I worked therefore I enrolled to a Certified Sommelier program conducted by Court of Master Sommeliers. During intense study time I was offered a position at Berry Bros. & Rudd where I ended up running the Wholesale Department and being a member of International Leadership team.  I will be forever grateful for the experience at BBR since I met some of the best & most interesting wine makers, buyers, Masters of Wine and travelled to wine regions. 

What do you love most about the wine business? 

People and how wine brings them together.  Thanks to stepping into the wine world, I’ve had the luck and opportunity to meet passionate and inspiring people.  Not much can compete with sharing a bottle of wine with those who appreciate it the most.  One more thing is how it allows you to visit some of the most beautiful places in the world! We are lucky that vineyards are planted all over the world and the landscapes are always different. I will always remember a breakfast overlooking Shiraz vines in Swartland (South Africa) or hiking in Cinque Terre among the vineyards on the steep hills.  For any wine lover, a landscape of vineyards & vines brings a smile on a face. 

What does the concept of Wellness mean to you? 

For me it is a  balance between a passion that is related to alcohol and a passion that in a traditional version talks about body purity. 

The journey to my concept of wellness started when I was still working for BBR. With a life filled with wine tastings, late night dinners and juggling the need of clients, it came to a point when I felt that I needed to find a way to recharge. Simultaneously, a number of things happened in my personal life. All this combined, I realised I was a little burnt out and needed to find a way to re-connect with my inner-self. 

I travelled to Nepal where I did a trek in the Himalayas along with daily yoga & meditation practice. It inspired me to continue walking the path of self-awareness. Therefore I returned shortly to deepen my practice & knowledge about yoga. It was March 2020, and the start of Corona virus. Just like many, the pandemic changed my experience and my life forever. With lockdown restrictions in place, what was supposed to be 6 weeks turned into 3 months and 200 hours yoga teacher training turned into 500 hours.

With such experience I knew that I had to somehow combine two opposites: wine and yoga. Yoga is a very powerful tool that definitely helped me to define my wellness and how I wanted to take care of myself going forward at the same time wine industry was still very close to my heart and I just needed to find a way to bring them together. And I did by creating Sip Of Wellness.  My intention is to encourage to seek for your own definition of wellness because at the end of a day it’s a  choice to do what makes you feel good physically and mentally.

On average, how often and how much do you drink? 

It really depends but on average is 4-5 times per week. However, I do pay attention to include ‘dry’ days during the week which I enjoy.  If I they don’t happen, I feel the difference above all in my quality of sleep and overall well-being.

Has your attitude changed to drinking and wellness over the years? 

Due to some sleep deprivation, I’ve noticed that ‘dry’ days help me to sleep better therefore I’ve learned to say ‘no’ even to a glass of wine over dinner.  It was hard at first because I like to cook and wine often accompanied me. 

Do you think the wine trade has changed or is changing its attitude to wellness or drinking culture? 

Definitely! For instance, this blog and your book.  It is also something that I aim to convey with Sip of Wellness. The wine business is wonderful, but we need to be aware of its long-term side effects. How we can take care of our health and what we can do to maintain a healthy balance. 

Are there foods you consciously include in your diet? If so what and why?

I need to start with saying that I’m a foodie. Cooking, dining out, food blogs & podcasts are my passion. Unfortunately, few years ago, my gut has become sensitive and since then, I need to be careful with gluten, diary and…alcohol.  Needless to mention the last one is the biggest challenge 😉

I’ve heavily reduced meat consumption and while I was a proper vegetarian for few months, I realised that with my love for food, I would not be able to maintain it and it would limit me hence I opt for the very trendy felixitarianism which in my opinion is the most sustainable for long term. 

My guts’ sensitivity requires regular supplements intake to strengthen my immune system hence vitamin D, magnesium, glutamine is part of my daily routine. Magnesium supports my sleep as well. 

Do you exercise?

Regularly. I’m an ashtangi and the traditional style requires a daily practice. However, since I like other activities, I practice ashtanga 3-4 times a week and then I alternate between running, hiking (Hong Kong has introduced me to this activity and I immediately have fallen I love with it) or other styles of yoga. My newest discovery is a yin-yang yoga which combines powerful & strengthening poses with restorative ones. 

I like how Ashtanga teaches me discipline and self- observation by constantly repeating the same sequence. Concurrently, due to its quite demanding physical aspect, I’m able to enhance and maintain physical condition. In the last couple of years sport activity has become essential to my everyday well- being. It is also part of my daily wellness. Staying active makes me feel better and no shame to say- looks better. 

Does that fact you are a woman help, or is it a hindrance in business or is it now irrelevant? 

When I first joined the industry, it was much more male driven then it is right now.  I’m a feminist in heart who believes that no industry should be one sex dominant. Obviously wine industry, due to its most common challenges such as long working hours, irregular schedule or travelling, seemed more bearable for man.  However, when it comes to the essence like wine knowledge, we women are as good if not better 😉 Luckily, there has been a shift in the last years and in particular for wine and wellness, women seem to be more active advocates.  Probably because we are more careful with our weight, health and overall life balance. 

If you had just one or two top tips for women wanting to stay well, what would they be? 

As one of my yoga teachers said: ‘first me, then others’.  Start with taking care of yourself in order to be able to be good in all your other roles.  It translates to doing more of what makes you feel good mentally and physically. 

Follow Joanna on instagram to see where her adventures in wine and yoga take her next.

If you enjoyed this post, please  sign up here  to receive future blog posts directly to your inbox. If you would like to read more about Bordeaux, buy your copy of Bordeaux Bootcamp here, to learn more about Wine and Wellness, you canbuy a copy of  The Drinking Woman’s Diet here. Enjoy the read.

Bordeaux is coming up Rosé!

Did you know some 3,500 ha of Bordeaux are dedicated to rosé production? That’s just over 3% of the Bordeaux surface area, about the same as sweet white planting, but with a higher yield.

Tucked into the Bordeaux and Bordeaux Supérieur family, it’s a niche production so you’re forgiven for not being familiar with Bordeaux Rosé. With International Rosé Day last Saturday, perhaps now is the time to broaden your Rosé horizons? 

The grapes used are the classic Bordeaux red grapes, Merlot, Cabernet Sauvignon and Franc and occasionally Petit Verdot, Malbec and Carmenère. 

These are the ‘principal grape varieties’ that, together, must represent at least 70% of the blend. White varieties, Sémillon, Sauvignon Blanc and Gris, are allowed as accessory varieties, up to 30% of the total blend. The ‘new’ varieties; Arinarnoa, Castets, Marselan and Touriga Nacional can be included up to 10% of the blend. Bordeaux Rosé can be a blend or a single varietal wine.

Bordeaux Rosé can be made either from direct pressing or by the ‘saignée’ method. Direct pressing means picking your red grapes earlier than you would for red wines, pressing them so the wine has just a faint tinge of pink and then fermenting the juice as for a white wine, i.e., no, or very little skin contact. Any skin contact happens in the press, during a long slow pressing, protected from oxygen. This gives a pale and refreshing rosé.

Why pick early? Earlier picking ensures a higher acidity, keeping the wine fresh and the sugar lower, hence lower alcohol. Most Bordeaux rosés come in at around 12-12.5% alcohol. Less ripe skins also ‘bleed’ less colour into the wine on pressing. Riper, more fragile skins release more colour. In really hot, ripe vintages it can be hard to restrain the colour of these wines, so picking date is key.

Bleeding Rosé. 

The other option is a ‘vin de saignée’ or bled, or macerated wine, where the juice is left on the skins for a longer time, a matter of hours depending upon the ripeness of the grape. Careful observation allows the wine maker to then run off the juice before it becomes too dark and ferment as for a white wine, with no further skin contact. As well as more colour, wines with a longer skin contact tend to have more pronounced flavours, aromas and some tannin.

In both cases freshness is key, protecting the juice from oxidation, often using nitrogen and of course sulphur.  

Traditionally, saignée was used to concentrate a weaker red vintage. Running off some of the juice after a short period of time to make rosé but leaving most behind, giving a higher ratio of solids (skins and pips) to juice remaining in the vat, making the final red wine more concentrated. This is especially handy in diluted vintages (lots of rain, or high yields). The increasing popularity of Bordeaux rosé means they are now no longer just a by-product of red production but very much a part of the range of wines for a lot of producers, especially in the Bordeaux, Bordeaux Supérieur and Entre-Deux-Mers regions. And now even more prestigious appellations. 

Clairet or claret.

What happens if you leave the juice on the skins for too long? It can happen, harvest is a busy time, but there is another, even smaller production in Bordeaux called Clairet. The difference between Clairet and Rosé is mainly the colour. There’s an official ‘Pantene’ style chart. Too dark and your wine will not be allowed bear the name Bordeaux Rosé but Bordeaux Clairet. This is not a booby prize. Bordeaux Clairet has a faithful local following, it is the perfect apéro or picnic wine, often found on Atlantic beaches in the summer months. There are currently only around 400 ha are currently in production, so it takes some finding. Clairet can only be made from red varietals, no whites. 

The original style of wine produced in Bordeaux was probably Clairet, back before sulphur was introduced in the 17th century. Claret, the English term for Bordeaux, is thought to originate from the word Clairet, as the English drank most of it back then which might account for the bad spelling or pronunciation? 

Here are a few to try. Merlot resisters stay with us.

Château Lestrille is at the heart of the Entre-Deux-Mers, a traditional Rosé region. The cooler clay and limestone soils lend themselves perfectly to Rosé production.  Owner wine maker, Estelle Roumage makes both a Rosé and a Clairet as well as a ‘second’ rosé Le Petit Lestrille, available in 3 litre BIB (Bag in box), a perfect solution for wine on tap over the summer.

Rosé on tap all summer long.

Neighbouring Courselle sisters at Chateau Thieuley also in the Entre-Deux-Mers produce both a Rosé and a Clairet. The Rosé is a 70% Cabernet Franc, 30% Merlot blend that undergoes a direct press under nitrogen in a specially designed press to keep oxygen at bay. Fermented in stainless steel and aged on the lees for 2 months, it’s bottled with a very cute label that usually makes it onto my Valentine’s Day recommendations. 

Colour coded, Château Thieuley Rosé and Clairet

The Clairet is a 70% Merlot, 30% Cabernet Sauvignon blend that undergoes 30 hours of skin contact and a direct press under nitrogen. The fermentation is in stainless steel tanks and the wine is aged on its lees for 3 months in the tanks. This produces a wine with a signature bright cherry colour and the red berry aromas typical of Merlot 

Château Bonnet has just released their 2020 Rosé in a brand-new packaging with a transparent label, with a definite nod to a Provence style. It is a blend of 55% Cabernet Sauvignon and 38% Merlot with just 7% of Semillon, which is allowed, see above, but is unusual. 

Château Bauduc is another popular rosé from the Entre-Deux-Mers. Their Château Rosé is made from equal parts of Merlot, Cabernet Sauvignon and Cabernet Franc in a ‘Provencal’ pale pink style. It is also available in a magnum, perfect for summer lunch parties and sealed with a screwcap just in case there is any left over – unlikely! 

A Magnum of Bauduc Rosé? That’ll do nicely.

At Château Fonfriode in the south-east of the appellation, Hugues Dutheillet de Lamothe makes a 100% Cabernet Franc Rosé on his 75ha property with a label as vibrant as the wine.

Rosé, rosé, rosé!

Further afield.

Bordeaux rosé can be made across the whole of the region so let’s venture away from the classic rosé terroir of the Entre-Deux-Mers. 

Martin Krajewski is a Bordeaux Rosé veteran; Château de Sours was one of the biggest producers in the Entre-Deux-Mers under his ownership until he sold the property in 2015. It’s no surprise that he has turned his hand to Rosé production at his Saint Emilion property or rather his winemaker daughter Charlotte has. He bought Clos Cantenac, a 6 ha Grand Cru of Saint Emilion in 2006. Although their Rosé is made in Saint Emilion, it can’t use the AOC as there is no rosé Saint Emilion appellation. 1.7 hectares of the vineyard are dedicated to the Rosé made from 100% handpicked Merlot. Unusually for a rosé, the wine is fermented in 30% oak and 70% in stainless steel and is aged like a top white wine on its lees for 5 months with regular batonnage or stirring.  Production is tiny, but they manage to make two labels:  L’Exuberance and Elegance. Elegance is vinified in a concrete egg, allowing continuous movement of the lees, adding structure with no risk of oxidation. This is niche production, just 8,000 elegant bottles are produced at prices that will give top Provencal rosés a run for their money. The 2020 will be released next month. Both bottles are Vinoloc glass stoppered, the Elegance champagne style bottle really lives up to its name.  

Château Loudenne in the Medoc is also a less traditional area for RoséThe Loudenne Le Château Rosé is handpicked from less than a hectare of young Merlot vines, on cooler clay and limestone soils. The red grapes destined for the Rosé, certified HVE (High environmental Value) and now in their second year of conversion to organic agricluture, are picked at the same time as the whites. A direct press protected from oxidation and a low temperature fermentation in stainless steel, keeps the freshness and aromas. A short ageing on lees gives it an elegant mouthfeel.
The chateau also works with neighbouring properties to produce an organic range called ‘Les Jardins’. This blended Rosé is mainly Cabernet Franc with a touch of Cabernet Sauvignon, a longer skin contact in the press produces a slightly darker, very food friendly Rosé.

Also on the left bank, Château de Cérons is at the heart of the Cérons appellation, a tiny, sweet wine enclave in the Southern Graves. Being in the Graves, alongside the sweet white Cérons, the Chateau produces a dry white and red Graves under the chateau name but also a range called La Quille (skittle), local slang for bottle. In 2017 they added a Bordeaux Rosé to the range, (there is no Graves Rosé appellation) made from just half a hectare of Merlot of the HVE (High environmental Value) certified vineyard. The juice is ‘saignée’ from tanks of red after just a couple of hours of skin contact, then cool fermented in stainless steel. Bottle presentation is so important for Rosé, and the fun cut out label of this wine perfectly shows off the pale pink wine.

Rosé production in Bordeaux has doubled in the last 10 years, trending towards lighter wines, piggy backing on the fashion for Provence style Rosés. The Bordeaux version tends to be fruit driven, a great food wine as well as a perfect aperitif. As summer days lengthen, step out of your Rosé comfort zone and come over to Bordeaux.

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Bordeaux, still a class act?

Less than 5% of Bordeaux production is classified, yet it accounts for about 20% of the value of production.  Despite their relatively small size, why do Bordeaux classifications hold such a sway over the market? 

History Class.

The oldest and most famous classification is the 1855 Medoc and Graves and Sauternes Classification. Despite its name, it includes just one Graves property; Chateau Haut Brion, 60 Medoc properties and 27 Barsac and Sauternes properties. 

The 61 red classified growths portrayed on the Carl Laubin poster created for the “Châteaux Bordeaux” exhibition at Centre Georges Pompidou in Paris you can buy a copy here

This classification was introduced thanks to Napoleon III.  He created the Paris Universal Exhibition, to showcase all that was great and good in France – including wine. With the aim of making the wines of Bordeaux more comprehensible, the idea of a classification was born. The responsibility for this classification ended up on the shoulders of the courtiers or wine brokers of Bordeaux. They effectively took their order books and transcribed the established price hierarchy of chateaux from more than 200 years of trading classified based on these sales prices. 

There are five levels for the red wines and three levels for the sweet whites of Barsac and Sauternes. The highest-ranking property in the 1855 classification 1st Superior Growth was awarded uniquely to Chateau d’Yquem. (For more details, I recommend Dewey Markham’s seminal book: 1855).

Château d’Yquem, premier Grand Cru Classée Supérieur in 1855

The Graves.

Almost 100 years later, in 1953, (revised in 1959) Graves introduced its own classification. It includes just 16 Chateaux: 13 red and 9 white wines. It is the wine and not the property that is classified, some are classified for their white and not their red or vice a versa and a few lucky ones for both. Unlike the five levels in the 1855 classification, there is only one level in the Graves; you either have it or you don’t. These classified wines are all found to the north in what is now the Pessac Léognan appellation. The classification predates the appellation; the Pessac Léognan appellation was only created in 1987.

These wines are often overshadowed by the reputation of their Medoc neighbours to the north, possibly due to the one-hundred-year head start, and most remain great value wines, accessible both in style and price.

Right bank.

About the same time, the right bank also woke up to the advantage of having a classification and Saint Emilion was classified in 1955.

The Saint Emilion classification can be considered more democratic. Whereas the 1855 classification has never really changed, (the exceptions being Chateau Cantemerle that was added in at the last minute and Chateau Mouton Rothschild promoted from a second growth to a first in 1973), Saint Emilion reclassifies, its chateaux more or less every 10 years. 

To even be considered for classification, the wine must be an appellation Saint Emilion Grand Cru as opposed to Appellation Saint Emilion, an appellation that has a stricter set of production rules including chateau bottling and longer barrel ageing.

There are three categories of classification in Saint Emilion: Grand Cru Classé, Première Grand Cru Classé B and Premiere Grand Cru Classé A. The latest classification dates from 2012 and includes 64 classified growths (Grand Cru Classés) and 18 first growths (Première Grand Cru Classés) of which four are As. Properties are busy submitting their applications for next year’s classification as I write, they have to be in by 30th June.

Chateau Angleus, one of the two ‘new’ Grand Cru Classés A as of 2012

Bourgeois.

Saint Emilion is not the only classification to change with the times. The Cru Bourgeois Classification dates back to 1932. It is restricted to the eight Medoc appellations, although there remain a few historical exceptions in the Cotes, where you may still find Cru Bourgeois on a label. 

Faced with the unmoving 1855 classification, excluded properties in the Médoc decided to create their own classification. Bourg meaning town, this historical name, reflected the ownership of many of these vineyards by locals from the villages at the time rather than the grander Cru Classés owned by nobility and merchants. This was (and still is) by far the largest Bordeaux classification, four hundred and forty-four properties were included in three quality levels: Cru Bourgeois, Cru Bourgeois Supérieur and Cru Bourgeois Exceptionnel, 

Chateau LilianI Ladouys, one of the 14 Cru Bourgeois Exceptionnels

The Cru Bourgeois classification was revised in 2003 and from 2008 to 2018 has been reclassified every year but with just one level: Cru Bourgeois.

Tasting the wines over the last ten years, it is clear that, although there is a minimum quality level within the properties, there are differences in quality. The same names seem to regularly rise to the top. This was the inspiration for reintroducing the historical hierarchy. 

From the 2018 vintage, the classification will last five years, facilitating the reintroduction of the three-tier system of Cru Bourgeois, Cru Bourgeois Supérieur and Cru Bourgeois Exceptionnel. 

Of the 249 Cru Bourgeois awarded in 2020, 170 are Cru Bourgeois, 56 Cru Bourgeois Supérieurs and 14 Cru Bourgeois Exceptionnels. 

The Cru Bourgeois Logo

Are classifications still relevant? 

With the exception of Pomerol, regions without a classification remain the less well-known wines of Bordeaux. Côtes de Bordeaux, Entre Deux Mers anyone? Even those with a recent classification such as Graves and Saint Emilion are still playing catch-up in the notability stakes against Medoc with its 100-year head start. 

This is a solid argument for the importance of classifications in building the reputation of the Bordeaux vineyards over the centuries.

All the classifications together represent less than 500 out of about 5 700 wineries. Less than 5% of the volume of production is classified (or equivalent) but it does represent 20% of the value.  

Update?

We’ve seen Cru Bourgeois and Saint Emilion reclassify regularly. Medoc, Graves and Sauternes don’t – or do they? 

The way most of these wines are sold is a unique system of future sales or ‘en primeur’. Wines made in the autumn will be presented to the trade for tasting the following spring despite the fact that these wines will remain in the tender loving care of the wine makers until they are bottled eighteen months later.

Following these tastings, once the trade and the critics have had their say, prices for the new vintage are fixed. Interested parties put their money where their mouth is and pay up front to reserve their allocation. This is in the hope that when the wine becomes physical (i.e., bottled and delivered) they will not only be assured of the supply of the desired wines, but they will have purchased them at a preferential price. 

Wine merchants then trade these wines on and there is a market price available on ‘La Place de Bordeaux’ from Bordeaux brokers or courtiers (the ones who created the classification back in 1855). 

La Place de La Bourse or La Place de Bordeaux?

For people not in the Bordeaux trade with access to a courtier, the website Liv-ex is probably the most accurate source of information about how the prices are holding up and they regularly update their price ‘classification’ after every primeur campaign. The notion of ‘super seconds’ reflects how some properties, lower down the classification, can command higher prices than their neighbours. A classic example is third growth Château Palmer, often reaching first growth prices or fifth growth Château Lynch Bages that hits above its status.

It could be argued that the real classification, is the one that appears every year: the price that the market will pay is a classification everyone can understand. 

That was, after all, the basis of the original 1855 classification.

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